Kritik terhadap Wacana Patriarki dalam Novel La Civilisation, ma Mère !... Karya Driss Chraïbi

Main Article Content

Fina Falahu Sani

Abstract

Moroccan francophone literature raises various criticisms, especially the issues of colonialism and gender. Driss Chraïbi is a Moroccan writer who investigated these issues in La Civilisation, ma Mère !.... This novel is told from the male perspective of a mother’s struggle in fighting gender discrimination in the French Protectorate, which later gives rise to a critique. This article aims to analyse how the critique of the patriarchal discourse is constructed in the novel. The method being used is qualitative and is supported by Roland Barthes’s narrative structure theory, A.J. Greimas’ actantial scheme theory, Gérard Genette’ focalization theory, and theory of postcolonial feminism by Gayatri Spivak. The result of this article is the critique on the patriarchal discourse is constructed through the postcolonial discourse that utilises the disposition of the “I” character as the indigenous man of the young generation, who encourages the deployment of Western culture to civilize women. Modern civilisation also becomes a hero for the Mother character, which is a subaltern, in her success in realising freedom and diminishing patriarchal discrimination. Nevertheless, her mindset and mental condition are still colonized due to her adjacency to the colonial legacy of the West.

Downloads

Download data is not yet available.

Article Details

How to Cite
Sani, F. F. (2023). Kritik terhadap Wacana Patriarki dalam Novel La Civilisation, ma Mère !. Karya Driss Chraïbi. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 6(2), 573-596. https://doi.org/10.30872/diglosia.v6i2.646
Section
Articles
Author Biography

Fina Falahu Sani, Universitas Indonesia

Universitas Indonesia
Jalan Margonda Raya, Pondok Cina, Kecamatan Beji, Kota Depok, Indonesia
Email: fina.falahu@ui.ac.id
Orcid ID: https://orcid.org/0009-0005-1995-9494

References

Barthes, R., & Duisit, L. (1975). An Introduction to the Structural Analysis of Narrative. New Literary History, 6(2), 237–272. https://doi.org/10.2307/468419
Beitler, R. M., & Martinez, A. R. (2010). Women’s Roles in the Middle East and North Africa. Greenwood Press.
Bentaibi, A. (2008). Espace Clos, Espace Ouvert Dans La civilisation, ma Mère !... de Driss Chraïbi. Dirassat, 13(13), 11. https://digitalcommons.aaru.edu.jo/dirassat/vol13/iss13/11
Bressler, C. E. (2007). Literary Criticism: An introduction to Theory and Practice (4th ed.). Pearson Prentice Hall.
Chevalier-Caron, C. (2016). Femmes, Éducation, et Identités au Maroc Sous Domination Française (1862-1962). Collections: Mémoire de Maîtrise En Histoire (Université Du Québec à Montréal), M14309. http://archipel.uqam.ca/id/eprint/8718
Damayanti, G. P., & Wibowo, S. E. (2019). La Manifestation d’Infériorité Féminine, de Résistance et d’Ambivalence dans Le Roman L’Enfant de Sable de Tahar Ben Jelloun : Une Étude du Féminisme Postcolonial. Lingua Litteria Journal, 6(2), 76–81. https://doi.org/10.15294/ll.v6i2.36523
Genette, G. (1983). Narrative Discourse: An Essay in Method. Cornell University Press.
Greimas, A. J. (1987). On Meaning Selected Writings in Semiotic Theory. University of Minnesota Press.
Ilma, A. A. (2016). Representasi Penindasan Ganda dalam Novel Mirah Dari Banda; Perspektif Feminisme Poskolonial. Poetika, 4(1), 3–11. https://doi.org/10.22146/poetika.v4i1.13310
International Monetary Fund. (n.d.). Morocco: Implications of Gender Inequality for Growth. Retrieved March 20, 2023, from https://www.elibrary.imf.org/downloadpdf/journals/002/2017/065/article-A001-en.pdf
Joubert, J.-L. (1994). Littératures Francophones du Monde Arabe. Nathan.
Lesmana, I. B. G. A. S., Udasmoro, W., & Hayuningsih, A. A. C. (2021). Konstruksi dan Kontestasi Kuasa Perempuan pada Naskah Drama Les Bonnes Karya Jean Genet. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 4(1), 65–78. https://doi.org/10.30872/diglosia.v4i1.124
McLeod, J. (2000). Beginning postcolonialism (J. McLeod, Ed.). Manchester University Press.
Moser, K. (2013). A ‘Better Life’? The Universal Deception of Immigrants in the Narratives of Driss Chraïbi and J. M. G. Le Clézio. International Journal of Francophone Studies, 16(1), 9–26. https://doi.org/10.1386/ijfs.16.1-2.9_1
Oyewumi, O. (2005). Colonizing Bodies and Minds. In G. Desai & S. Nair (Eds.), Postcolonialisms: An Anthology of Cultural Theory and Critism (pp. 339–361). Bloomsbury Publishing.
Sabrina, A. (2020). Konstruksi Identitas Tokoh Ibu dalam Novel La Civilisation, ma Mère!... Karya Driss Chraïbi. UIANA. https://lib.ui.ac.id/detail?id=20502302
Said, E. W. (1978). Orientalism: Western concepts of the Orient (E. W. Said, Ed.). Pantheon.
Sater, J. N. (2012). Reserved Seats, Patriarchy, and Patronage in Morocco. In S. Franceschet, M. L. Krook, & J. M. Piscopo (Eds.), The Impact of Gender Quotas (pp. 72–86). Oxford Academic.
Spivak, G. C. (1988). Can the Subaltern Speak? In C. Nelson & L. Grossberg (Eds.), Marxism and the Interpretation of Culture (pp. 271–313). Basingstoke.
Susanto, D. (2022). Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 5(4), 883–896. https://doi.org/10.30872/diglosia.v5i4.526
Utami, N. N. A. (2022). Penggunaan Fitur Bahasa Perempuan pada Novel Tempurung Karya Oka Rusmini. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 5(2), 327–340. https://doi.org/10.30872/diglosia.v5i2.282