Ambivalensi ideologi patriarki pada serial tv populer House of the Dragon: kritik feminisme The ambivalence of patriarchal ideology in popular tv series House of the Dragon: a feminist critic
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Published:
Mar 15, 2024
Keywords:
feminism, patriarchy, subordination, ambivalence, House of the Dragon
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Abstract
This article aims to analyze the ambivalence of patriarchal ideology in the popular TV series created by HBO entitled ‘House of the Dragon’ (2022). Based on this aim, the research method which is used is qualitative method. The analysis is focused on several major characters. Feminist literary criticism is the ground theory which is used to analyze the main issue of patriarchy society in this series. As one of the primary subjects of analysis in feminist criticism, this research only tries to elaborate how critics define and see patriarchy work in general. It can be concluded that this series, on its surface, shows the practice of patriarchal society. Those practices are seen in many forms such as gender inequality, subordination, and repression toward women lead characters from male characters or society. Interestingly, at the same time the analysis also leads to a different interpretation which argues those several major characters also reflect the strategy to against the patriarchal ideology. It makes the feminist reading to this series becomes ambivalent.
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Mandela, F., & Gitawati, N. D. (2024). Ambivalensi ideologi patriarki pada serial tv populer House of the Dragon: kritik feminisme. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 7(1), 135-150. https://doi.org/10.30872/diglosia.v7i1.838
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Würrer, S. (2022). A Short History of Ambivalence Toward the Feminist Utopia in Japanese Science Fiction. Science Fiction Studies, 49(1), 53–80. https://doi.org/10.1353/sfs.2022.0005
Zeisler, A. (2008). Feminism and Pop Culture: Seal Studies. Hachette UK.
Abudi, M. O., Yieke Arudo, F., & Kitetu, C. W. (2011). The Discursive Construction of Gender Among Dholuo Speakers in Kenya. In D. Majstorović & I. Lassen (Ed.), Living with Patriarchy: Discursive Constructions of Gendered Subjects Across Cultures (hal. 49–67). John Benjamins Publishing Company. https://doi.org/10.1075/dapsac.45.04abu
Alasuutari, P. (1995). Researching Culture: Qualitative Method and Cultural Studies. Sage.
Armalina, A., & Hayati, Y. (2022). Gambaran Biologi Perempuan dalam Kumpulan Puisi Catatan-Catatan dari Bulan Karya Rieke Saraswati. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 5(2), 489–510. https://doi.org/10.30872/diglosia.v5i2.422
Barker, C., & Jane, E. (2016). Cultural Studies: Theory and Practice. SAGE Publications.
Batchelor, B. (2008). American Pop: Popular Culture Decade by Decade (Vol. 1). Greenwood Press.
Bilger, A. (2009). Antifeminism. In E. Kowaleski-Wallace (Ed.), Encyclopedia of Feminist Literary Theory (hal. 27–28). Routledge.
Burton, J. (2022, Juli 27). “Game of Thrones” Author Says “Misogynistic” Themes Due to World History. Newsweek. https://www.newsweek.com/george-rr-martin-game-thrones-misogynistic-spinoff-house-dragon-hbo-1728210
Cheng, S. (2023). Keats’ Gender Ambivalence: Porphyro’s Dominance and Passivity in “The Eve of St. Agnes.” Journal of Education and Culture Studies, 7(2), 8–18. https://doi.org/10.22158/jecs.v7n2p8
Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (5th ed.). SAGE Publications.
Eagleton, M. (Ed.). (2011). Feminist Literary Theory: A Reader. Blackwell Publishing.
Fernández-Morales, M., & Menéndez-Menéndez, M. I. (2022). ‘A Girl is Arya Stark from Winterfell’: The Monomyth as a Feminist Journey in Game of Thrones. Northern Lights: Film & Media Studies Yearbook, 20(1), 11–25. https://doi.org/10.1386/nl_00028_1
Glick, P., & Fiske, S. T. (1997). Hostile and Benevolent Sexism. Psychology of Women Quarterly, 21(1), 119–135. https://doi.org/10.1111/j.1471-6402.1997.tb00104.x
Ha, N. T. T. (2011). Gender ideologies in the Vietnamese printed media. In D. Majstorović & I. Lassen (Ed.), Living with Patriarchy: Discursive Constructions of Gendered Subjects Across Cultures (hal. 195–216). John Benjamins Publishing Company. https://doi.org/10.1075/dapsac.45.11thu
Johnston, S. (2022). Abjection, Masculinity, and Sacrifice: The Reek of Death in Game of Thrones. Men and Masculinities, 25(3), 459–476. https://doi.org/10.1177/1097184X211044184
Madsen, D. L. (2000). Feminist Theory and Literary Practice. Pluto Press.
Mannherz, J. (2022). Piano Music, Fantasy, and Elizaveta Ivanova’s Ambivalent Feminism. Women’s History Review, 31(3), 408–428. https://doi.org/10.1080/09612025.2021.1940768
Marques, D. (2019). Power and the Denial of Femininity in Game of Thrones. Canadian Review of American Studies, 49(1), 46–65. https://doi.org/10.3138/cras.49.1.004
Martin, G. R. R., & Condal, R. (2022). House of the Dragon. HBO. https://www.hbo.com/house-of-the-dragon.
Neimneh, S., Al-Badarneh, A. F., & Mehawesh, M. (2023). Resistance and Complicity: Gender Politics in Angela Carter’s “The Erl-King.” The International Journal of Humanities Education, 21(2), 17–28. https://doi.org/10.18848/2327-0063/CGP/v21i02/17-28
Nugroho, B. A. (2023). Rekonstruksi Dominasi Budaya Patriarki dalam Novel Geni Jora: Kajian Psikoanalisis Erich Fromm. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 6(1), 127–140. https://doi.org/10.30872/diglosia.v6i1.574
Palulungan, L., Kordi K., M. G. H., & Ramli, M. T. (Ed.). (2020). Perempuan, Masyarakat Patriarki, & Kesetaraan Gender. Yayasan Bursa Pengetahuan Kawasan Timur Indonesia (BaKTI). https://www.pintarmampu.bakti.or.id/sites/default/files/dokumen/perempuan%2C masyarakat patriarki-final.pdf
Pezzuoli, G. (1982). Prisoner in Utopia. In G. Mora & K. S. Van Hooft (Ed.), Theory and Practice of Feminist Literary Criticism (hal. 36–43). Biligingual Press.
Pilcher, J., & Whelehan, I. (2004). Fifty Key Concepts in Gender Studies. SAGE Publications Ltd. https://doi.org/10.4135/9781446278901
Putri, N. A., Pasaribu, A. L., & Pramiyanti, A. (2023). Gender Bias Discourse Analysis on the Character Rhaenyra Targaryen in House of the Dragon. Jurnal Spektrum Komunikasi, 11(2), 132–146. https://doi.org/10.37826/spektrum.v11i2.462
Rimmon-Kenan, S. (1996). A Glance beyond Doubt: Narration, Representation, Subjectivity. Ohio State University Press.
Rimmon-Kenan, S. (2003). Narrative Fiction: Contemporary Poetics. Routledge.
Rivkin, J., & Ryan, M. (Ed.). (2017). Literary Theory: An Anthology (3rd ed.). John Wiley & Sons, Ltd.
Routt, D. (2022, Oktober 19). The Medieval Power Struggle That Inspired HBO’s ‘House of the Dragon.’ Smithsonian Magazine. https://www.smithsonianmag.com/history/the-medieval-power-struggle-that-inspired-hbos-house-of-the-dragon-180980967/#:~:text=George R.R. Martin%2C whose novels, other for the English throne
Thompson, A. (2017). An Examination of Audience Perceptions of Sexual Violence and Misogyny in Game of ThronesTM. Journal of Promotional Communications, 5(3), 280–302. https://promotionalcommunications.org/index.php/pc/article/view/112
Tyson, L. (2006). Critical Theory Today: A User‑Friendly Guide (2nd ed.). Routledge.
Walby, S. (1989). Theorising Patriarchy. Sociology, 23(2), 213–234. https://doi.org/10.1177/0038038589023002004
Woodacre, E. (2019). Understanding the Mechanisms of Monarchy. In E. Woodacre, L. H. S. Dean, C. Jones, Z. Rohr, & R. Martin (Ed.), The Routledge History of Monarchy (1st ed., hal. 1–19). Routledge.
Würrer, S. (2022). A Short History of Ambivalence Toward the Feminist Utopia in Japanese Science Fiction. Science Fiction Studies, 49(1), 53–80. https://doi.org/10.1353/sfs.2022.0005
Zeisler, A. (2008). Feminism and Pop Culture: Seal Studies. Hachette UK.